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Ozzy Osbourne - Bark at the Moon (1983/2014) High-Fidelity FLAC Stereo 24bit/96kHz

Artist: Ozzy Osbourne
Title: Bark at the Moon
Genre: Rock, British Metal, Hard Rock, Heavy Metal
Label: © Epic Records
Release Date: 1983/2014
Quality: High-Fidelity FLAC Stereo 96kHz/24bit
Source: Qobuz
Duration: 00:46:40
Recorded: 1983, Ridge Farm Studios

Bark at the Moon is the third studio album by British heavy metal vocalist Ozzy Osbourne, originally released on 15 November 1983. The album features former Mickey Ratt and Rough Cutt guitarist Jake E. Lee, who replaced guitarist Randy Rhoads who had been killed a year earlier in a plane crash. The album peaked at number 19 on the Billboard album chart and within several weeks of release was certified Gold for over 500,000 sales in the United States. To date, it has sold over 3,000,000 copies in the US In the UK, it was the third of four Osbourne albums to attain Silver certification (60,000 units sold) by the British Phonographic Industry, achieving this in January 1984. The album was remastered on CD in 1995 and again (with a different mix) in 2002.
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Nick Cave & The Bad Seeds - 14 Studio Albums (1984-2008) High-Fidelity FLAC Stereo 24bit/48kHz

Artist: Nick Cave & The Bad Seeds
Title: 14 Studio Albums
Genre: Alternative rock, post-punk, garage rock, gothic rock
Label: © Mute Records
Release Date: 1984-2008
Quality: High-Fidelity FLAC Stereo 48kHz/24bit
Source: DVD
Duration: 16:10:52

Nick Cave & The Bad Seeds:
- Current lineup
Nick Cave – vocals, piano, organ, harmonica, percussion, electric guitar, string arrangements (1983–present)
Thomas Wydler – drums, percussion, vocals (1985–present)
Martyn P. Casey – bass, vocals (1990–present)
Conway Savage – piano, organ, vocals (1990–present)
Jim Sclavunos – percussion, drums, organ, melodica, vocals (1994–present)
Warren Ellis – violin, fender mandocaster, loops, mandolin, tenor guitar, viola, bouzouki, accordion, flute, lute, piano, programming, percussion, string arrangements, vocals (1997–present; as guest, 1994–1997)
- Former members
Mick Harvey – electric guitar, acoustic guitar, bass, drums, organ, percussion, piano, loops, string arrangements, vocals (1983–2009)
Blixa Bargeld – electric guitar, slide guitar, pedal steel guitar, keyboards, vocals (1983–2003)
Hugo Race – electric guitar, vocals (1983–1984)
Anita Lane – lyrics (1984)
Kid Congo Powers – electric guitar, slide guitar (1986–1990)
Roland Wolf (deceased) – piano, organ, electric guitar, vocals (1986–1989)
James Johnston – organ, electric guitar, acoustic guitar, vocals (2003–2008; as guest, 1994)
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Underworld: Dubnobasswithmyheadman (1994) (20th anniversary re-issue 2014) [High Fidelity Pure Audio Blu-Ray Disc]

Title: Underworld: Dubnobasswithmyheadman
Released: 1994
Genre: Electronica, Techno, Progressive House, Progressive Trance, Leftfield, Ambient
Artist: Karl Hyde (vocals, guitars), Rick Smith (keyboards and mixing, vocals), Darren Emerson (keyboards and mixing)
Issued: United Kingdom | UMC
Duration: 01:12:53

dubnobasswithmyheadman is the third album by Underworld, released in the UK on Junior Boy’s Own on 24 January 1994. It was the first Underworld album after the 1980s version of the band had made the transition from synthpop to techno and progressive house and is also the first album to feature Darren Emerson as a band member, ushering in the “MK2″ phase of the band, which continued until Emerson’s departure in 2001.
In 2014, the album was reissued on vinyl, Blu-Ray, and 2-CD and 5-CD expanded editions. Reviewing the reissue, Q described the album as “superb” and proposed that Hyde and Smith’s previous 14 years of making music “was why the uncannily undated dubnobasswithmyheadman still exudes such multidimensional sophistication”. Uncut praised the material on the extra four discs, but felt that the original album was still Underworld’s key record, claiming that Hyde’s lyrical vision was able to make Romford sound as exotic as the USA he had seen on his travels, and that this was the reason why “twenty years later, the results of that crazy belief still sound like dance music’s dirtiest epic”.
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Mando Diao: AElita (2014) [Limited Edition] [High Fidelity Pure Audio Blu-Ray Disc]

Mando Diao released World’s First Pop Album in Auro-3D® Immersive Sound!

Title: Mando Diao: Ælita
Released: 2014
Genre: Electronic, Rock, Pop
Issued: Germany | Universal Music
Duration: 00:54:30

A lot has been written about Mando Diao; Sweden’s cockiest band, the endless touring, the international success, the fashion icons. The path from the first album “Bring’em In”, the pursing media feud with Kent, to having European radio’s most played song in 2009 has been a long and arduous adventure.
The statistics are an impressive resumé of productivity. Since 2002 Mando Diao has made 7 studio albums that have sold more than 2 million copies worldwide. The last album “Infruset” with the Swedish lyrics from poet Gustaf Fröding was a cultural phenomenon in Sweden, selling 4 x platinum and being number 1 for 17 weeks. In their career they have played more than 1500 concerts in more than 30 countries and are festival headliners across Europe. Their videos have become viral phenomena getting more than 7 million views on YouTube. They have release a B-side and a Greatest Hits collection and even an MTV Unplugged album and DVD. Many contemporary bands have come and gone but Mando Diao has continued to reach new heights and re-define popular music.
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Robbie Williams - Live in Tallinn (2014) Blu-ray 1080i AVC DTS-HD 5.1

Title: Robbie Williams – Live in Tallinn
Released: 2014
Genre: Pop rock, Soft rock, Dance, Britpop
Artists: Robbie Williams – lead vocals, guitar, tambourine; Guy Chambers – keyboard, backing vocals, guitar, piano; Gary Nuttall – guitar, backing vocals; Andy Wallace – keyboard; Jeremy Meehan – bass, backing vocals; Tom Longworth – guitar, backing vocals; Karl Brazil – drums; Denosh Bennett, Sarah-Jane Skeete, Nayanna Holley – backing vocals; Benjamin Edwards, Michael Kearsey, Mark Brown – Brass

Released: Universal Music
Duration: 1:57:46
Quality: Blu-ray
Container: BDMV
Video codec: AVC
Audio Codec: DTS, AC-3
Video: MPEG-4 AVC 29999 kbps / 1920 * 1080i / 29,970 fps / 16: 9 / High Profile 4.1
# 1 Audio: English DTS-HD MA 5.1 / 48 kHz / 2431 kbps / 16-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 16-bit)
Audio # 2: English Dolby Digital 2.0 / 48 kHz / 224 kbps
Size: 28.56 GiB

• Robbie Williams’ ‘Live In Tallinn’ DVD and Blu-ray release, recorded during the 2013 ‘Take The Crown’ tour on which he thrilled a total of 1.5 million admirers, reasserts his position as the master showman and perhaps the greatest live entertainer of his generation.
• His performance on Independence Day in Estonia for 70,000 adoring fans saw Robbie give a typically blistering performance of the hits and favourites that have helped form the soundtrack of pop music over the last two decades and more. ‘Let Me Entertain You,’ ‘Strong,’ ‘Millennium,’ ‘Feel,’ ‘She’s the One,’ ‘Angels,’ the list is long.
• The new release gives us the perfect opportunity to reminisce about some of Williams’ great performances of the past — and to look at exactly how he has become the stage virtuoso we know and love. It’s a story that begins almost a quarter of a century ago in a club with very few people in it…
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Andris Nelsons, Lucerne Festival Orchestra, Isabelle Faust - Memorial Concert for Claudio Abbado (2015) Blu-ray 1080i AVC DTS-HD 5.1

Ttitle: Memorial Concert for Claudio Abbado
Released: 2015
Genre: Classical
Conductor: Andris Nelsons
Artists: Lucerne Festival Orchestra, Isabelle Faust, Bruno Ganz

Released: Accentus Music
Duration: 1:38:53
Quality: Blu-ray
Container: BDMV
Video codec: AVC
Audio Codec: DTS, PCM
Video: MPEG-4 AVC 19941 kbps / 1920 * 1080i / 29.970 fps / 16: 9 / High Profile 4.1
# 1 Audio: DTS-HD MA 5.1 / 48 kHz / 3731 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
Audio # 2: LPCM 2.0 / 48 kHz / 2304 kbps / 24-bit
Subtitles: German, French, English, Korean, Japanese
Size: 21.96 GiB

It was a deeply affecting and appropriate farewell. The spirit of Claudio Abbado, the great conductor and founder of orchestras who died in January 2014, was present in music, words, and silence. Thousands upon thousands came to the Basilica di Santo Stefano in Bologna and the Piazza della Scala in Milan to pay their last respects. In Lucerne, the members of the LUCERNE FESTIVAL ORCHESTRA paid tribute to this extraordinary man and friend with a deeply moving concert – “The emotional intensity was unbelievable; this could only be achieved by true musicians, by those capable of love.” (Neue Zürcher Zeitung) Friends and associates look back fondly on Claudio Abbado and speak of how they experienced these moments of grief and farewell.
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Marisa Monte - Verdade Uma Ilusao: Tour 2012/2013 (2014) Blu-ray 1080p AVC DTS-HD MA 5.1

Title: Marisa Monte – Verdade Uma Ilusão: Tour 2012/2013
Released: 2013
Genre: Pop, Música Popular Brasileira, Bossa Nova
Artists: Marisa Monte & Band

Released: Universal Music Brazil
Duration: 1:10:34
Quality: Blu-ray
Container: BDMV
Video codec: AVC
Audio Codec: DTS, AC-3, PCM
Video: MPEG-4 AVC 28111 kbps / 1920 * 1080p / 23,976 fps / 16: 9 / High Profile 4.1
Audio # 1: Portuguese DTS-HD MA 5.1 / 96 kHz / 7366 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
Audio # 2: Portuguese Dolby Digital 5.1 / 48 kHz / 640 kbps
Audio # 3: Portuguese LPCM 2.0 / 48 kHz / 2304 kbps / 24-bit
Subtitles: Portuguese, English
Size: 21.55 GiB

O show, gravado em agosto de 2013, no espaço Cidade das Artes no Rio de Janeiro, inclui grandes sucessos como “Ainda Bem”, “Não Vá Embora”, “Diariamente”, “Infinito Particular”,”Gentileza”, uma versão inédita em português da música “Ilusão” e algumas novidades como “E.C.T”. e “Dizem”.
Marisa é acompanhada do “power trio” da banda Nação Zumbi, composto pelo baterista Pupillo, o guitarrista Lúcio Maia e pelo baixista Dengue. Misturam-se a eles os músicos Dadi Carvalho (violões, guitarra e ukelele), Carlos Trilha (voz, teclados e programações), um quarteto de cordas formado por Pedro Mibielli (primeiro violino e adaptação de arranjos para quarteto), Glauco Fernandes (violino), Bernardo Fantini (viola) e Marcus Ribeiro (cello), além de Lautaro Greco no bandoneon.
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Neil Young & Crazy Horse - Re-ac-tor (1981/2004) High-Fidelity FLAC Stereo 24bit/176.4kHz

Artist: Neil Young & Crazy Horse
Title: Re-ac-tor
Genre: Rock, Folk Rock, Country Rock, Hard rock
Label: © Reprise Records
Release Date: 1977/2004
Quality: High-Fidelity FLAC Stereo 176,4kHz/24bit
Source: DVD-Audio (Watermarked!)
Duration: 00:39:10
Recorded: October 9, 1980 - July 21, 1981 at Modern Recorders, Redwood City, CA

Neil Young employs Crazy Horse to help him bash out a guitar-drenched hard rock set made up of thrown-together material. The group plays fiercely, as usual, but the lyrics are sketchy, seemingly improvised (the nadir is the nine-minute "T-Bone," which consists of the lines "Got mashed potato/Ain't got no t-bone" repeated over and over), and frequently cranky, as in "Motor City," which finds Young criticizing Japanese cars, and "Rapid Transit," which takes a belated swipe at new wave music while sounding like second-rate Talking Heads. For the second album in a row, Young seems to be just fulfilling his one-album-a-year record contract. The exception is the album-closing "Shots" (written by 1978), a more substantive and threatening song given a riveting performance. Later, it would be revealed that Young was finding time for his music while giving most of his attention to caring for his disabled son. Still, he might have been better advised to have suspended record-making for a few years instead of turning out half-baked efforts like this one. --William Ruhlmann
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Neil Young & Crazy Horse - Live Rust (1979/2014) High-Fidelity FLAC Stereo 24bit/192kHz

Artist: Neil Young & Crazy Horse
Title: Live Rust
Genre: Rock, Folk Rock, Country Rock, Hard Rock
Label: © Reprise Records
Release Date: 1979/2014
Quality: High-Fidelity FLAC Stereo 192kHz/24bit
Source: PonoMusic
Duration: 01:15:53
Recorded: 1978, Cow Palace, San Francisco, Boston Garden, Boston, Massachusetts, Civic Center, St. Paul, Minnesota, Chicago Stadium, Chicago, Illinois, and McNichols Arena, Denver, Colorado

All the kudos Neil Young earned for Rust Never Sleeps he lost for Live Rust, the double-LP live album released four months later. Live Rust was the soundtrack to Young's concert film Rust Never Sleeps (he had wanted to give it that title, but Reprise vetoed the idea, fearing confusion with the earlier album), and likewise was recorded October 22, 1978, at the Cow Palace in San Francisco. But much of the Rust Never Sleeps album had been recorded on the same tour, and Live Rust repeated four songs from that disc; besides, since Young had released the career retrospective Decade in 1977, critics felt he was unfairly recycling his older material and repeating his new material. In retrospect, however, Live Rust, now a single 74-minute CD, comes off as an excellent Neil Young live album and career summary, starting with the early song "Sugar Mountain" and running through then-new songs like "My My, Hey Hey (Out of the Blue)" and "Powderfinger." Young is effective in both his acoustic folksinger and hard-rocking Crazy Horse bandleader modes. The various distractions of the concert itself and the film, such as the pretentious props and cowled roadies, are absent, and what's left is a terrific Neil Young concert recording. --William Ruhlmann
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Neil Young - On The Beach (1974/2004) High-Fidelity FLAC Stereo 24bit/176.4kHz

Artist: Neil Young
Title: On The Beach
Genre: Rock, Folk Rock, Country Rock
Label: © Reprise Records
Release Date: 1974/2004
Quality: High-Fidelity FLAC Stereo 176,4kHz/24bit
Source: DVD-Audio (Watermarked!)
Duration: 00:39:37
Recorded: November 30, 1973 - April 7, 1974 Arrow Ranch, Woodside, California; Sunset Sound Recorders, Hollywood

Following the 1973 Time Fades Away tour, Neil Young wrote and recorded an Irish wake of a record called Tonight's the Night and went on the road drunkenly playing its songs to uncomprehending listeners and hostile reviewers. Reprise rejected the record, and Young went right back and made On the Beach, which shares some of the ragged style of its two predecessors. But where Time was embattled and Tonight mournful, On the Beach was savage and, ultimately, triumphant. "I'm a vampire, babe," Young sang, and he proceeded to take bites out of various subjects: threatening the lives of the stars who lived in L.A.'s Laurel Canyon ("Revolution Blues"); answering back to Lynyrd Skynyrd, whose "Sweet Home Alabama" had taken him to task for his criticisms of the South in "Southern Man" and "Alabama" ("Walk On"); and rejecting the critics ("Ambulance Blues"). But the barbs were mixed with humor and even affection, as Young seemed to be emerging from the grief and self-abuse that had plagued him for two years. But the album was so spare and under-produced, its lyrics so harrowing, that it was easy to miss Young's conclusion: he was saying goodbye to despair, not being overwhelmed by it. --William Ruhlmann
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