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The Gutbuckets - Gasfire Rag (2016) High-Fidelity FLAC Stereo 24bit/48kHz

Artist: The Gutbuckets
Title: Gasfire Rag
Genre: Jazz, Dixieland, Ragtime, Blues, Folk
Label: © The Gutbuckets
Release Date: 2016
Quality: High-Fidelity FLAC Stereo 48kHz/24bit
Source: Qobuz
Duration: 00:37:29

Gasfire Rag is the second album from Italian blues duo the Gutbuckets, a group dedicated to discovering and rearranging traditional African-American music that emerged from New Orleans and the Mississippi Delta, particularly between the 1920s and the 1940s. The band is composed of vocalists and multi-instrumentalists Antonio Speciale and Mario Evangelista, joined by Valerio Mazzoni on trumpet and bassist Maurizio Costantini.
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The Doors - L.A. Woman (1971/2012) High-Fidelity DSF Stereo DSD64/2.82MHz

Artist: The Doors
Title: L.A. Woman
Genre: Rock, Hard Rock, Blues Rock, Proto-Punk, Psychedelic/Garage, Rock & Roll
Label: © Elektra Entertainment Group/Analogue Productions XAPP75011D64
Release Date: 1971/2012
Quality: DSF Stereo DSD64/2.82MHz
Source: AcousticSounds
Duration: 00:48:51
Recorded: December 1970 – January 1971, The Doors' Workshop, Los Angeles, California
Mastered by Doug Sax using an all-tube system. Overseen by Bruce Botnick, The Doors producer/engineer. DSD files created from the Analogue Productions SACD cutting master by Gus Skinas.


The title track from this, the last Doors album recorded with Jim Morrison, who died shortly after it was released, has, said one reviewer, “maybe the best Chuck Berry riffs since the Stones.” And that’s not even mentioning “Love Her Madly,” which became one of the highest charting hits for The Doors.
“Love Her Madly,” was written by Doors guitarist Robbie Krieger, who is said to have penned the song about the numerous times his girlfriend threatened to leave him. The song peaked at No. 11 on the Billboard Hot 100 singles chart and reached No. 3 in Canada.
L.A. Woman was still high on the charts when, like in the lyric “actor out on loan” of its closing track — the celebrated “Riders on the Storm,” Jim Morrison died in a Paris bathtub in the summer of 1971.
Via such tracks as “The Changeling,” “Crawling King Snake,” and the frothy, rollicking title track, the collection leaned heavily toward the Blues — in particular, Morrison’s boastful “Lizard King” brand of it. All-in-all, Rolling Stone proclaimed L.A. Woman, “The Doors’ greatest album, including their first,” and “A landmark worthy of dancing in the streets.”
Analogue Productions and Quality Record Pressings are proud to announce that six studio LP titles — The Doors, Strange Days,Waiting For The Sun, Soft Parade, Morrison Hotel and L.A. Woman — are featured on 200-gram vinyl, pressed at 45 rpm. All six are also available on Hybrid Multichannel SACD! All were cut from the original analog masters by Doug Sax, with the exception of The Doors, which was made from the best analog tape copy.
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Ten Tuff Guitars - The Swinging Electric Sounds of the Ten Tuff Guitars (1966/2016) High-Fidelity FLAC Stereo 24bit/192kHz

Artist: Ten Tuff Guitars
Title: The Swinging Electric Sounds of the Ten Tuff Guitars
Genre: Pop, Pop Rock, Surf, Rockabilly
Label: © Columbia Records, a division of Sony Music Entertainment
Release Date: 1966/2016
Quality: High-Fidelity FLAC Stereo 192kHz/24bit
Source: HDTracks
Duration: 00:25:54
Recorded: 1965
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John Taverner - Missa Mater Christi sanctissima & Western Wynde Mass - Westminster Abbey Choir, James O'Donnell (2016) High-Fidelity FLAC Stereo 24bit/96kHz

Сomposer: John Taverner (c1490-1545)
Artist: Westminster Abbey Choir, James O'Donnell
Title: Taverner - Missa Mater Christi sanctissima & Western Wynde Mass
Genre: Classical
Label: © Hyperion Records
Release Date: 2016
Quality: High-Fidelity FLAC Stereo 96kHz/24bit
Source: hyperion-records.co.uk
Duration: 58 minutes 32 seconds
Recorded: June 2015, St Alban's Church, Holborn, London, United Kingdom


Two of the undisputed choral masterpieces from sixteenth-century England, by one of the greatest English composers: John Taverner’s Missa Mater Christi sanctissima and Western Wynde Mass. The five hundred years since the works’ genesis are but as a watch in the night in these sublime performances from Westminster Abbey Choir and James O’Donnell.
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Taneyev & Rimsky-Korsakov - Piano Trios - Leonore Piano Trio (2017) High-Fidelity FLAC Stereo 24bit/96kHz

Сomposer: Sergei Taneyev (1856-1915), Nikolai Rimsky-Korsakov (1844-1908)
Artist: Leonore Piano Trio
Title: Taneyev & Rimsky-Korsakov - Piano Trios
Genre: Classical
Label: © Hyperion Records
Release Date: 2017
Quality: High-Fidelity FLAC Stereo 96kHz/24bit
Source: hyperion-records.co.uk
Duration: 77 minutes 56 seconds
Recorded: January 2016, All Saints' Church, East Finchley, London, United Kingdom


Rimsky-Korsakov described Taneyev’s best music as possessing ‘a wealth of beauty and expressiveness’, a verdict with which no one is likely to disagree after hearing the piano trio recorded here. Rimsky was (unjustly) disparaging towards his own, unfinished, trio, which emerges as a brooding, substantial work well worthy of revival.
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Stojowski, Wieniawski - Violin Concertos - Bartlomiej Niziol, BBC Scottish Symphony Orchestra, Lukasz Borowicz (2016) High-Fidelity FLAC Stereo 24bit/96kHz

Сomposer: Zygmunt Stojowski (1869-1946), Henryk Wieniawski (1835-1880)
Artist: Bartłomiej Nizioł, BBC Scottish Symphony Orchestra, Łukasz Borowicz
Title: Stojowski, Wieniawski - Violin Concertos
Genre: Classical
Label: © Hyperion Records
Release Date: 2016
Quality: High-Fidelity FLAC Stereo 96kHz/24bit
Source: hyperion-records.co.uk
Duration: 55 minutes 54 seconds
Recorded: June 2015, City Halls, Candleriggs, Glasgow, Scotland


The music of Zygmunt Stojowski has yet to benefit from the renaissance enjoyed by other Polish composers of the late nineteenth and early twentieth centuries. His violin concerto—enthusiastically received at its premiere—is here revivified alongside Wieniawski’s dazzling Fantaisie in volume 20 of our Romantic Violin Concerto series.
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Steve Kuhn Trio - Watch What Happens! (1968/2015) High-Fidelity FLAC Stereo 24bit/88,2kHz

Artist: Steve Kuhn Trio
Title: Watch What Happens!
Genre: Jazz, Hard Bop, Post Bop, Piano Jazz
Label: © MPS - Musik Produktion Schwarzwald | Edel Germany GmbH
Release Date: 1968/2015
Quality: High-Fidelity FLAC Stereo 88,2kHz/24bit
Source: highresaudio.com
Duration: 35:46
Recorded: July 4th, 1968 at MPS Tonstudio Villingen, Black Forest



American pianist Steve Kuhn’s playing credentials are as impressive as they are lengthy. Starting out in 1959 with trumpeter Kenny Durham, he went on to work with John Coltrane, Stan Getz, Art Farmer, and Gary Burton over the next few years. Kuhn recorded this 1968 album during his four-year sojourn in Stockholm. He teams up here with the best Scandinavian rhythm section of that era, bassist Palle Danielsson and drummer Jon Christensen, who were to become members of the legendary Keith Jarrett ‘European Quartet’. The title piece, a tasty Michel Legrand composition, flows from the Latin pulse of its theme on into Kuhn’s surging, hard-swinging solo. The Kuhn original Silver evokes the pianist’s contemplative side, and J. J. Johnson’s ballad Lament stays in this introspective vein before segueing into the relaxed Latin feel of Once We Loved. There’s a driving impressionistic impulse to Tom Jones that modulates into a lilting Burt Bacharach medley, Windows of the World & Here I Am, whereas Kuhn plays I Fall in Love too Easily with the required sense of pathos. Carla Bley’s Ad Infinitum is the album’s tour de force, encompassing the avante-garde, loping, Latinesque moments, and intense, propulsive modern jazz. Exquisitely recorded, this album is trio play at its refined best; it’s simply a beautiful album.
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Stamitz, Danzi, Mozart - New Era - Andreas Ottensamer, Kammerakademie Potsdam (2017) High-Fidelity FLAC Stereo 24bit/96kHz

Сomposer: Johann Wenzel Anton Stamitz (1717-1757), Franz Danzi (1763-1826), Wolfgang Amadeus Mozart (1756-1791), Carl Stamitz (1745-1801)
Artist: Andreas Ottensamer, Kammerakademie Potsdam
Title: Stamitz, Danzi, Mozart - New Era
Genre: Classical
Label: © Decca is a Universal Music Company
Release Date: 2017
Quality: High-Fidelity FLAC Stereo 96kHz/24bit
Source: Qobuz
Duration: 01:11:54
Recorded: 30 September – 2 October 2016, Teldex Studio, Berlin


Ottensamer presents a dazzling selection of the clarinet’s early repertoire from 18th Century Mannheim, with works by J. and C.P. Stamitz, Mozart and Danzi, together with the Kammerakademie Potsdam.
Featuring duets with Albrecht Mayer and Emmanuel Pahud - two of the great wind soloists of our time and Ottensamer’s friends and colleagues at the Berliner Philharmoniker. It promises to be the chamber recording of the year.
The "Mannheim school" was a melting pot of “revolutionary experimentation” - musicians from all over Europe coming together to develop a new explosive and colourful sound – forming the orchestra as we know it today.
The Mannheim Orchestra was also the first to adopt the recently developed clarinet into the orchestra, and here Mozart heard the instrument for the first time.
“It’s fascinating to think that Mannheim inspired so many composers and musicians, and it was the players themselves who made it happen – it gave them the chance to do their own thing. Every aspect of composition, playing, teaching and conducting was concentrated there, and audiences went wild, blown away by the kind of rock-star ensemble that they heard.” Andreas Ottensamer
Ottensamer’s debut album on Decca Classics – the first clarinettist to sign exclusively to the label in its 89 year history.
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Sonny Rollins - Sonny Rollins With The Modern Jazz Quartet (1956/2017) High-Fidelity FLAC Stereo 24bit/192kHz

Artist: Sonny Rollins
Title: Sonny Rollins With The Modern Jazz Quartet
Genre: Jazz, Bop, Cool Jazz, Saxophone Jazz
Label: © Prestige Records/Concord Music Group, Inc.
Release Date: 1956/2017
Quality: High-Fidelity FLAC 2.0 Mono 192kHz/24bit
Source: HDTracks
Duration: 00:37:25
Recorded: January 17, 1951 (#13); December 17, 1951 (#5-12); October 7, 1953 (#1-4), Apex Studios, New York City


Sonny Rollins with the Modern Jazz Quartet (PRLP 7029) (also released as Sonny & the Stars) is a 1956 album by jazz saxophonist Sonny Rollins, featuring his earliest recordings for the Prestige label under his leadership, including four tracks performed by Rollins with the Modern Jazz Quartet (John Lewis, Milt Jackson, Percy Heath and Kenny Clarke), eight tracks where Kenny Drew and Art Blakey replace Lewis, Jackson, and Clarke, and one track with Miles Davis on piano. Tracks 5-11 and 13 were originally featured on the Prestige 10 inch LP Sonny Rollins Quartet (1952, PRLP 137), which is reissued in its entirety here. Track 12 was previously released on the various artists 10"LP Mambo Jazz (PRLP 135).
"I Know", featuring Miles Davis on piano, was recorded at the same session as four other tracks under Davis' name, using the same musicians, including the young Rollins. This was Davis' first recording session for Prestige Records, and his first working with Rollins. The producer Bob Weinstock tried to dissuade Davis from using Rollins at all, feeling he was not ready, but instead Davis persuaded the producer to let Rollins record a cut under his own name. The Davis tracks recorded that date were originally issued on the various artists 10"LP Modern Jazz Trumpets (PRLP 113), and are now more commonly available on the album Miles Davis and Horns (PRLP 7025).
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Sonny Rollins - Sonny Rollins And The Contemporary Leaders (1958/2017) High-Fidelity FLAC Stereo 24bit/192kHz

Artist: Sonny Rollins
Title: Sonny Rollins And The Contemporary Leaders
Genre: Jazz, Bop, Hard Bop, Saxophone Jazz
Label: © Contemporary Records/Concord Music Group, Inc.
Release Date: 1958/2017
Quality: High-Fidelity FLAC Stereo 192kHz/24bit
Source: Qobuz
Duration: 00:44:30
Recorded: October 20, 21 & 22, 1958 at Contemporary Studio, Los Angeles


Sonny Rollins and the Contemporary Leaders is an album by jazz saxophonist Sonny Rollins, recorded for the Contemporary label, featuring performances by Rollins with Hampton Hawes, Barney Kessel, Leroy Vinnegar, and Shelly Manne with Victor Feldman added on one track. It was the last record Rollins produced before a hiatus from recording and performing in public, before his return with The Bridge in 1962.
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