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Johann Sebastian Bach - Les 4 Ouvertures BWV 1066-1069 - Le Concert des Nation, Jordi Savall (2012) High-Fidelity FLAC Stereo 24bit/88,2kHz

Сomposer: Johann Sebastian Bach (1685-1750)
Artist: Le Concert des Nation, Jordi Savall
Title: Bach, J.S. - Les 4 Ouvertures BWV 1066-1069
Genre: Classical
Label: © Alia Vox
Release Date: 2012
Quality: High-Fidelity FLAC Stereo 88,2kHz/24bit
Source: Qobuz
Duration: 01:45:14
Recorded: en août 1990, à la Grande Salle de l’Arsenal à Metz
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Johann Sebastian Bach - 6 Suites for Violoncello, BWV 1007-1012 - Pierre Fournier (1961/2016) High-Fidelity FLAC Stereo 24bit/96kHz

Сomposer: Johann Sebastian Bach (1685-1750)
Artist: Pierre Fournier
Title: Bach, J.S. - Cello Suites, BWV 1007-1012 (6 Suites for Violoncello)
Genre: Classical
Label: © Deutsche Grammophon/Archiv Produktion
Release Date: 1961/1986/2016
Quality: High-Fidelity FLAC Stereo 96kHz/24bit
Source: highresaudio.com
Duration: 02:19:18
Recorded: Hanover, Beethovensaal, 12/1960

In Colette’s famous phrase, Pierre Fournier “sings better than anything that sings”. Nowhere is this truer than in his iconic recordings of the six Bach suites. The suites were so much part of him that on the afternoon before a concert he was heard asking which of them he was playing that evening.
Basle Cathedral was packed on two Sunday evenings in the autumn of 1962 to hear Fournier play the complete set of Bach Suites. “One man and four stirings mesmerizing more than 2000 people … an indescribable palette of colours, or contrasts … an extraordinary demonstration of thought, of mastery, of style.” Few listeners to Fournier’s Bach performances have been able to forget them; the audience before the isolated figure high on the square platform in the nave of Basle Cathedral was no exception. In the hands of this half-sceptical believer whose vocabulary was so often religious (he called the Suites “the cellist’s breviary”), an epicurean whose work was ruthlessly self-disciplined, the Suites distilled Bach’s humanity and his indestructible faith, the sensuality and the spirituality fused in sound.” Angela Hughes, Pierre Fournier: Cellist in a Landscape with Figures (1998)
„Elegance is the quality in Pierre Fournier's playing that makes the first and, ultimately, the most lasting impression. He finds great depth in the suites, but he shows constant awareness that he is playing mostly dance music (usually, and importantly, French dance music), that joy is its most important underlying emotion and that graceful movement and rhythmic fluency are essential.“ --Joe McLellan
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Azio Corghi - Tra La Carne E Il Cielo - Orchestra Filarmonica Di Torino, Tito Ceccherini (2016) High-Fidelity FLAC Stereo 24bit/96kHz

Сomposer: Azio Corghi (b.1937)
Artist: Orchestra Filarmonica Di Torino, Tito Ceccherini
Title: Azio Corghi - Tra La Carne E Il Cielo
Genre: Classical
Label: © Universal Music Italia
Release Date: 2016
Quality: High-Fidelity FLAC Stereo 96kHz/24bit
Source: Qobuz
Duration: 01:00:50
Recorded: 2015

Azio Corghi (b.1937), allievo tra gli altri di Massimo Mila e Bruno Bettinelli, nel 1967 vince il concorso Ricordi-Rai con Intavolature, che viene eseguito alla Fenice di Venezia. Insegna dapprima al Conservatorio di Torino, poi al Conservatorio di Milano. Per la stagione 1989-1990 va in scena alla Scala Blimunda, opera su libretto del compositore stesso e del Nobel Josè Saramago. In occasione del bicentenario rossiniano compone Suite dodo, da Péchés de vieillesse di Rossini. È Accademico di Santa Cecilia, coordinatore dei corsi e docente di composizione all’Accademia Petrassi. Intraprende nel 2000 la composizione di Amori incrociati, dal Decameron nella versione di A. Busi, commissione dell’Orchestra della Rai. Nel 2001 scrive lettura e commento dal Vangelo secondo Gesù di Saramago sopra la Via Crucis di Liszt. In occasione del centenario belliniano, scrive ...malinconia, ninfa gentile per il Teatro Massimo Bellini di Catania. L’Accademia di Santa Cecilia presieduta da Luciano Berio gli commissiona De paz e de guerra, su testo di Saramago. Nel 2005 scrive Il dissoluto assolto, teatro musicale in un atto su libretto proprio e di Saramago, coproduzione del Teatro San Carlos di Lisbona e del Teatro alla Scala di Milano. In occasione del 25° anniversario della fondazione della Filarmonica della Scala, l’orchestra gli ha commissionato Poema Sinfonico, la cui prima è stata diretta da Riccardo Chailly. Per i 500 anni dalla nascita del Palladio, gli è stata commissiona Giocasta, rilettura in chiave moderna (libretto di Maddalena Mazzocut-Mis) dell’Edipo Tiranno di Sofocle. Nel marzo 2013, ospite d’onore della terza edizione di "Play it", festival di musica contemporanea dell’Orchestra della Toscana, ha ricevuto un premio alla carriera.
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Arne Domnerus Sextett - The Music of Georg Riedel (1982/2016) High-Fidelity DSF Stereo DSD128/5.64MHz

Artist: Arne Domnérus Sextett
Title: The Music of Georg Riedel
Genre: Jazz
Label: © 2xHD - Naxos
Release Date: 1982/2016
Quality: DSF Stereo DSD128/5.64MHz
Source: nativeDSDmusic
Duration: 00:38:23
Recorded: 1979, 1982

Georg Riedel (b. 1934) is a Swedish double-bass player and composer whose profile derives almost exclusively from writing music for Astrid Lindgren movies. He also composed the music for several films by Arne Mattsson in the 1960s as well as for film adaptions of novels by StigDagerman.
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Aretha Franklin - The Queen In Waiting (2011) High-Fidelity FLAC Stereo 24bit/96kHz

Artist: Aretha Franklin
Title: The Queen In Waiting
Genre: R&B, Soul, Soul Jazz, Vocal Pop, Vocal Jazz, Deep Soul, Quiet Storm, Southern Soul, Black Gospel
Label: © Columbia Records, a division of Sony Music Entertainment
Release Date: 2011
Quality: High-Fidelity FLAC Mono/Stereo 96kHz/24bit
Source: Qobuz
Duration: 00:59:30
Recorded: '60s


Aretha Franklin is one of the giants of soul music, and indeed of American pop as a whole. More than any other performer, she epitomized soul at its most gospel-charged. The Queen in Waiting is Aretha Franklin's 2002 compilation album featuring popular tracks "God Bless the Child", "Skylark", "Only the Lonely" and "Try a Little Tenderness". The album includes Aretha's last Columbia recordings produced by Bob Johnston, noted for his work during this period with Bob Dylan; and songs that Columbia "sweetened" with new musicians after Aretha left the label.
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Aretha Franklin - Yeah!!! In Person With Her Quartet (1965/2011) High-Fidelity FLAC Stereo 24bit/96kHz

Artist: Aretha Franklin
Title: Yeah!!! In Person With Her Quartet
Genre: R&B, Soul, Soul Jazz, Vocal Pop, Vocal Jazz, Deep Soul, Quiet Storm, Southern Soul, Black Gospel
Label: © Columbia Records, a division of Sony Music Entertainment
Release Date: 1965/2011
Quality: High-Fidelity FLAC Stereo 96kHz/24bit
Source: Qobuz
Duration: 01:14:43
Recorded: February-April, 1965 at Columbia Studios, New York City, NY

Yeah!!! (or Aretha Franklin In Person With Her Quartet) is the eighth studio album by American singer Aretha Franklin, Released on May 17, 1965 by Columbia Records. Contrary to the overdubbed sounds of audience murmurs, the album was not a live album, but instead was recorded live at New York's Columbia Studios and produced by Clyde Otis. This would be Franklin's last collection of jazz recordings until the release of 1973's Hey Now Hey (The Other Side of the Sky), released during her landmark tenure at Atlantic Records. An expanded version of the album that also contains the original session tracks without audience overdubs has been released on CD in the Columbia Box Set Take A Look: Aretha Franklin Complete On Columbia.
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Aretha Franklin - Unforgettable: A Tribute To Dinah Washington (1964/2011) High-Fidelity FLAC Stereo 24bit/96kHz

Artist: Aretha Franklin
Title: Unforgettable: A Tribute To Dinah Washington
Genre: R&B, Soul, Soul Jazz, Vocal Pop, Vocal Jazz, Deep Soul, Quiet Storm, Southern Soul, Black Gospel
Label: © Columbia Records, a division of Sony Music Entertainment
Release Date: 1964/2011
Quality: High-Fidelity FLAC Stereo 96kHz/24bit
Source: Qobuz
Duration: 00:40:02
Recorded: February 7–10, 1964 at Columbia Recording Studios, (New York/Hollywood)

Unforgettable: A Tribute to Dinah Washington is the sixth studio album by American singer Aretha Franklin. Released on February 18, 1964, by Columbia Records, The album is a tribute dedicated to the recently deceased singer Dinah Washington. The sessions were recorded in New York. A few tunes were cut with strings in order to bring out the essential ballad character of the songs (with the help of Bob Mersey's arranging); most of the tracks, though, were made with the assistance of a small and sympathetic accompanying group for which Mersey supplied minimal written guidance.
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