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Vladimir Horowitz in Recital at Powell Hall, St. Louis, November 21, 1976 (2015) High-Fidelity FLAC Stereo 24bit/88,2kHz

Сomposer: Muzio Clementi (1752-1832), Frédéric Chopin (1810-1849), Franz Liszt (1811-1886), Robert Schumann (1810-1856), Moritz Moszkowski (1854-1925)
Artist: Vladimir Horowitz
Title: Vladimir Horowitz in Recital at Powell Hall, St. Louis, November 21, 1976
Genre: Classical
Label: © Sony Music Entertainment
Release Date: 2015
Quality: High-Fidelity FLAC Stereo 88,2kHz/24bit
Source: Qobuz
Duration: 01:25:20
Recorded: Powell Hall, St. Louis, November 21, 1976


After the overwhelming success of Vladimir Horowitz Live at Carnegie Hall, Sony Classical presents Vladimir Horowitz: The Unreleased Live Recordings 1966–1983. Available October 23, this 50-CD edition takes you on tour with the legendary pianist from his home town of New York to the great halls of the USA, from New Haven to Chicago, Washington D.C., Philadelphia, Boston and beyond. This special collector's set features 13 programs recorded at 25 solo recitals in 14 different concert halls. It comprises the complete live recordings made by Columbia Masterworks between 1966 and 1968, as well as the live recordings made by RCA Red Seal between 1975 and 1983. While a few extracts from these live recordings were selected for release as award-winning albums, the vast majority rested untouched in secure storage and has remained unreleased for more than 30 years – until today. This new edition presents Vladimir Horowitz's musical artistry, live and unedited in state-of-the-art mastering.
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Antonio Vivaldi - The Four Seasons - Itzhak Perlman, London Philharmonic Orchestra (2015) High-Fidelity FLAC Stereo 24bit/96kHz

Сomposer: Antonio Vivaldi (1678–1741)
Artist: Itzhak Perlman, London Philharmonic Orchestra
Title: Vivaldi - The Four Seasons
Genre: Classical
Label: © Parlophone Records/Warner Classics
Release Date: 2015
Quality: High-Fidelity FLAC Stereo 96kHz/24bit
Source: Qobuz
Duration: 00:44:14
Recorded: Abbey Road Studios, 18–20 May 1976

These days, who would ever imagine that the first commercial recording of Vivaldi’s Four Seasons, one of the most popular classical works in the world, had been released as late as 1947? And how many of us would be able to name the soloist on this pioneering release (on the Concert Hall label)? It was in fact American violinist Louis Kaufman (1905–1994) who was the first to unearth, in its entirety, Il Cimento dell’Armonia e dell’Inventione, the set of twelve violin concertos of which the Four Seasons makes up the first four. Since Kaufman, countless other violinists have left their mark on this masterpiece of the Italian Baroque, developing its treasure trove of invention in line with the trends of the day. Itzhak Perlman himself has made two recordings of it, on both occasions directing from the violin. His first version, featured here, was made with the London Philharmonic in 1976, while the second, with the Israel Philharmonic, dates from seven years later (see volume 32).
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VA - God Don't Never Change: The Songs Of Blind Willie Johnson (2016) High-Fidelity FLAC Stereo 24bit/44,1kHz

Artist: Various
Title: God Don't Never Change: The Songs Of Blind Willie Johnson
Genre: Blues, Gospel
Label: © Alligator Records
Release Date: 2016
Quality: High-Fidelity FLAC Stereo 44,1kHz/24bit
Source: Unknown
Duration: 41:56

Alligator Records is proud to announce the first quarter 2016 release of God Don't Never Change: The Songs Of Blind Willie Johnson. The album features newly recorded versions of the iconic slide guitarist/vocalist's most seminal material. Tom Waits, Lucinda Williams, Derek Trucks and Susan Tedeschi, Cowboy Junkies, The Blind Boys Of Alabama, Sinéad O'Connor, Luther Dickinson, Maria McKee, and Rickie Lee Jones all deliver deeply moving interpretations of Johnson's otherworldly "gospel blues" music.
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VA - Best From The West: Modern Sounds From California, Vol. 2 (1955/2015) High-Fidelity FLAC Stereo 24bit/192kHz

Artist: Various Artists
Title: Best From The West: Modern Sounds From California, Vol. 2 (A Musical Blindfold Test)
Genre: Jazz, Bop, Hard Bop, Cool Jazz, West Coast Jazz
Label: © Blue Note Records
Release Date: 1955 (BLP 5060)/2015
Quality: High-Fidelity FLAC 2.0 Mono 192kHz/24bit
Source: HDTracks
Duration: 23:45
Recorded: Radio Recorders Studio in Hollywood, Los Angeles, CA, December 31, 1954

Originally released on two 10-inch vinyl discs in early 1955, these recordings spotlight some of the best from Blue Note's West Coast jazz roster of the day, as the title implies, recorded in Los Angeles and featuring prominent jazz musicians from both coasts such as Harry "Sweets" Edison, Stan Levey, Conte Candoli and Marty Paich. The "blindfold test" refers to the fact that the first volume was originally issued with no credits, presenting a challenge to jazz fans to identify the players, only revealed on the second album. This note appeared on the original record jacket of the first volume: "We're curious to see which of Blue Note's customers, long noted for their astute jazz tastes and discernment, can come up with a complete or at least partially correct answer."
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Uto Ughi - Live In Roma (2005) High-Fidelity DSF Stereo DSD64/2.82MHz

Сomposer: Johann Sebastian Bach (1685-1750), Niccolò Paganini (1782-1840), Eugène Ysaÿe (1858-1931)
Artist: Uto Ughi
Title: Live In Roma
Genre: Classical
Label: © Fonè Records/Audiophile Productions
Release Date: 2005
Quality: DSF Stereo DSD64/2.82MHz
Source: hd-klassik.com
Duration: 01:07:34
Recorded: November 26th 2004, Auditorium Parco della Musica, Sala S. Cecilia, Roma


Recorded live at the Auditorium Parco della Musica Sala Santa Cecilia in Rome, this exciting performance by Uto Ughi presents some of Bach's famous Sonatas and Partitas for unaccompanied violin, Ysaÿe's Sonata No. 4 in E minor, which was inspired by the virtuoso Fritz Kreisler, and a selection of Paganini's challenging and demanding Capriccios. Performed with stunning skill and intuitive musicianship, this recording shouldn't be missed!
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Manfred Trojahn - Orest - Netherlands Radio Philharmonic Orchestra, Marc Albrecht (2013) High-Fidelity DSF 5.0 Surround DSD64/2.82MHz

Сomposer: Manfred Trojahn (b.1949)
Artist: Netherlands Radio Philharmonic Orchestra, Marc Albrecht
Title: Manfred Trojahn - Orest
Genre: Classical, Opera
Label: © Challenge Records | Northstar Recordings
Release Date: 22 November 2013
Quality: DSF 5.0 Surround DSD64/2.82MHz
Source: nativeDSDmusic
Duration: 01:16:04
Recorded: 3 and 16 December 2011 at the Audio-Visual department of The Amsterdam Music Theatre


Orest, the opera by the German composer Manfred Trojahn, was written for the Netherlands Opera. The world premiere took place in Amsterdam, amid spectacular splashes of gore and commensurate splatters of sound, in December 2011 and this recording was made during those performances. The Netherlands Philharmonic Orchestra is conducted by Marc Albrecht, and the title role of Orestes is sung by the celebrated German baritone Dietrich Henschel with Rosemary Joshua as Helen.
Manfred Trojahn’s Orest is a music theatre work in six scenes set to the composer’s own libretto. This 2011 premiere production by Netherlands Opera was directed by Katie Mitchell with set designs by Giles Cadle. Netherlands Opera commissioned Trojahn’s sixth opera to finish a series that focused on the House of Atreus, rounding off the cycle of violence by adding the murder of Helen of Troy to the carnage surrounding Iphigenie, Idomeneo and Elektra. Trojahn’s libretto is based on Euripides and the narrative follows the Greek story closely. The subject matter, with its myriad musical and literary allusions, seems to have steered the composer towards a harmonic language more rooted in the past than he might otherwise have adopted. Certainly Richard Strauss’s influence is amply audible.
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Trevor Pinnock - Journey: Two Hundred Years of Harpsichord Music (2016) High-Fidelity FLAC Stereo 24bit/96kHz

Сomposer: Various
Artist: Trevor Pinnock
Title: Journey: Two Hundred Years of Harpsichord Music (70th birthday retrospective)
Genre: Classical
Label: © LINN Records
Release Date: 2016
Quality: High-Fidelity FLAC Stereo 96kHz/24bit
Source: LINN
Duration: 68 minutes 50 seconds
Recorded: August 2014, Colyer-Fergusson Concert Hall, University of Kent, Canterbury, United Kingdom

This unique harpsichord recital by Trevor Pinnock charts two incredible musical journeys four hundred years apart. Inspired by the travels of Antonio Cabezón, the sixteenth century organist and composer, Pinnock's programme weaves a path not only through Cabezón's life but also through his own enviable career.
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Traffic - John Barleycorn Must Die (1970/2012) High-Fidelity FLAC Stereo 24bit/192kHz

Artist: Traffic
Title: John Barleycorn Must Die
Genre: Rock, Art Rock, Prog Rock, Jazz Rock, British Psychedelia
Label: © Island Records
Release Date: 1970/2012
Quality: High-Fidelity FLAC Stereo 192kHz/24bit (Please note that track #8 is 96kHz/24bit)
Source: HDTracks
Duration: 39:28
Recorded: February–April 1970 at Island Studios and Olympic Studios, London

John Barleycorn Must Die was a pivotal statement in the history of British folk rock. Traffic, one of music’s most influential bands, garnered high praise for their psychedelic blend of folk, jazz, soul and rock. Their original sound was complemented by unworldly virtuosity. John Barleycorn Must Die was the band’s most successful album and would later be certified gold by the RIAA. This outstanding effort would be the band’s highest charting album of all time, peaking at #5 on Billboard’s Top 200. John Barleycorn Must Die boast earthy staples including, “Glad,” “Freedom Rider” and the acclaimed single “Empty Pages,” which spent eight consecutive weeks on the Billboard Hot 100.
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Tomasz Stanko Quartet - Suspended Night (2004) High-Fidelity FLAC Stereo 24bit/96kHz

Artist: Tomasz Stańko Quartet
Title: Suspended Night
Genre: Jazz, Avant-Garde Jazz, Modern Creative, Trumpet Jazz
Label: © ECM Records GmbH | ECM Reviews
Release Date: 2004
Quality: High-Fidelity FLAC Stereo 96kHz/24bit
Source: HDTracks
Duration: 01:09:02
Recorded: July 2003 at Rainbow Studio, Oslo

In the two years since Tomasz Stanko’s much-loved Soul of Things, both the trumpeter and his young Polish band have continued to make their mark. Many miles of touring, on both sides of the Atlantic, have honed their already exceptional group understanding. Suspended Night builds upon the conceptual framework established by its predecessor – the bulk of the album is devoted to a series of haunting and soulful “Suspended Variations” - but the improvisational quotient is expanded, as all participants take more solo space, and more chances.
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The Wild Tchoupitoulas - The Wild Tchoupitoulas (1976/2016) High-Fidelity FLAC Stereo 24bit/192kHz

Artist: The Wild Tchoupitoulas
Title: The Wild Tchoupitoulas
Genre: R&B, Mardi Gras Indian Music, Ceremonial, Funk, New Orleans R&B, Sacred Traditions
Label: © Island Records
Release Date: 1976/2016
Quality: High-Fidelity FLAC Stereo 192kHz/24bit
Source: HDTracks
Duration: 35:06
Recorded: Sea-Saint Recording Studios, New Orleans

The Wild Tchoupitoulas is a 1976 album by the New Orleans Mardi Gras Indian tribe The Wild Tchoupitoulas. The album features the "call-and-response" style chants typical of Mardi Gras Indians. Vocals were provided by George Landry, as "Big Chief Jolly", as well as other members of his Mardi Gras tribe. Instrumentation was provided in part by members of the New Orleans band The Meters. The album also notably features Landry's nephews, the Neville Brothers, providing harmonies and some of the instrumentation. While not a commercial success, the effort was well received critically and the experience recording it encouraged the four Neville brothers to perform together for the first time as a group. Meaningful of the geographic location of New Orleans as a Caribbean city, "Meet de Boys on the Battlefront" is based on the melody and rhythm of Trinidadian calypso artist Lord Invader's 1943 "Rum and Coca Cola" made famous in the U.S. by The Andrew Sisters in 1944. In 2012 the album was added to the U.S. Library of Congress' National Registry, a designation of "cultural, artistic and historic importance to the nation's aural legacy."
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