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Ray Charles - Yes Indeed!! (1958/2012) High-Fidelity FLAC Stereo 24bit/192kHz

Artist: Ray Charles
Title: Yes Indeed!!
Genre: R&B, Soul, Blues, Jazz
Label: © Atlantic Records
Release Date: 1958/2012
Quality: High-Fidelity FLAC 2.0 Mono 192kHz/24bit
Source: HDTracks
Duration: 36:20
Recorded: September 11, 1952 - February 20, 1958 in New York City and Atlanta


Yes Indeed! is a scintillating selection of hits that shaped the landscape of jazz, R&B, blues and rock. This revealing statement highlights all of Charles’ musical talents, from his stunning vocal range to his bluesy piano execution. As a singer and keyboardist, Charles is in top form. Standouts include the title track, which Charles pays tribute to big band innovator, Sy Oliver.
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Ray Charles - The Ray Charles Story, Vol. 4 (1966/2012) High-Fidelity FLAC Stereo 24bit/192kHz

Artist: Ray Charles
Title: The Ray Charles Story, Vol. 4
Genre: R&B, Soul, Blues, Jazz
Label: © Atlantic Records 8094
Release Date: 1966/2012
Quality: High-Fidelity FLAC 2.0 Mono 192kHz/24bit
Source: HDTracks
Duration: 41:10
Recorded: 1953-1959

The Ray Charles Story, Volume 4 is the fourth installment in a definitive collection showcasing Charles’ undeniable artistry and musicianship. One of Rolling Stones’s “100 Greatest Artists,” the album displays all of Charles' biggest hits. The album includes standouts “Blackjack,” “A Bit Of Soul,” “Tell Me How Do You Feel” and “I Believe To My Soul.”
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Ray Charles - The Ray Charles Story, Vol. 3 (1966/2012) High-Fidelity FLAC Stereo 24bit/192kHz

Artist: Ray Charles
Title: The Ray Charles Story, Vol. 3
Genre: R&B, Soul, Blues, Jazz
Label: © Atlantic Records 8083
Release Date: 1966/2012
Quality: High-Fidelity FLAC 2.0 Mono 192kHz/24bit
Source: HDTracks
Duration: 39:15
Recorded: 1953-1959

The Ray Charles Story, Volume 3 is the third installment in a definitive collection highlighting Charles’ remarkable genius and unparalleled musicianship. The multi-GRAMMY® winner has been dubbed one of music’s greatest artists by Rolling Stone. Included on the set were his hits, “That’s Enough,” “Tell The Truth,” and “It’s Alright.”
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Ray Charles - The Ray Charles Story, Vol. 2 (1962/2012) High-Fidelity FLAC Stereo 24bit/192kHz

Artist: Ray Charles
Title: The Ray Charles Story, Vol. 2
Genre: R&B, Soul, Blues, Jazz
Label: © Atlantic Records 8064
Release Date: 1962/2012
Quality: High-Fidelity FLAC 2.0 Mono 192kHz/24bit
Source: HDTracks
Duration: 46:27
Recorded: 1956-1959

The Ray Charles Story, Volume 2 is the second installment in a pivotal collection showcasing the legend’s undeniable genius. Ranked among Rolling Stone’s “100 Greatest Artists of All Time,” Ray Charles was one of soul’s first pioneers. Included on this set were his breakthrough hits, “Swanee River Rock” “Night Time Is The Right Time,” “I’m Movin’ On” and “Let The Good Times Roll.”
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Ray Charles - The Ray Charles Story, Vol. 1 (1962/2012) High-Fidelity FLAC Stereo 24bit/192kHz

Artist: Ray Charles
Title: The Ray Charles Story, Vol. 1
Genre: R&B, Soul, Blues, Jazz
Label: © Atlantic Records 8063
Release Date: 1962/2012
Quality: High-Fidelity FLAC 2.0 Mono 192kHz/24bit
Source: HDTracks
Duration: 46:24
Recorded: 1952-1956


The Ray Charles Story, Volume 1 is the first installment in a definitive collection highlighting Charles’ undeniable genius. The multi-GRAMMY® Award winner and one of Rolling Stone’s “100 Greatest Artists of All Time,” has had an luxurious career highlighted with countless chart-topping singles including “Mary Ann” and “A Fool for You,” both included on this breathtaking collection. A must have for any audiophile collection.
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Maurice Ravel - Daphnis et Chloe - Rotterdam Philharmonic Orchestra, Yannick Nezet-Seguin (2015) High-Fidelity FLAC Stereo 24bit/96kHz

Сomposer: Maurice Ravel (1875–1937)
Artist: Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin
Title: Ravel - Daphnis et Chloé
Genre: Classical
Label: © BIS Records
Release Date: 2015
Quality: High-Fidelity FLAC Stereo 96kHz/24bit
Source: eClassical
Duration: 63:27
Recorded: June 2012 (Daphnis et Chloé ) and March 2014 (Pavane) at De Doelen Hall, Rotterdam, The Netherlands


When Maurice Ravel in 1909 was commissioned by the ballet impresario Serge Diaghilev to write a score based on the ancient Greek novel Daphnis and Chloe, he decided to compose 'a huge musical fresco, concerned less with archaism than with faithfulness to the Greece of my dreams'. Three years later, when Daphnis et Chloé was first performed by the Ballets Russes, it had indeed grown into Ravel’s longest work, playing for about an hour and requiring a large orchestra with an extended percussion section, not to mention a choir. The first production was fraught with difficulties and the première in Paris was less than successful. It was only the following year, in London, that the composer received proper recognition for his music, which Stravinsky later described as 'not only Ravel’s best work, but one of the most beautiful products of all French music'. Ravel himself labelled it a ‘choreographic symphony’, and although he did extract two suites from it, the complete ballet score has also entered the concert repertoire. It is here performed by the Rotterdam Philharmonic Orchestra and Yannick Nézet-Séguin, a team with the best possible credentials for realizing the full spectrum of this sumptuous music – from the idyllic evocation of dawn in Lever du jour to the orgiastic Danse générale which closes the work. If Daphnis et Chloé is one of Ravel’s most highly regarded works, his Pavane pour une infante défunte is one of the most popular. The brief piano piece from 1899 was orchestrated by the composer in 1910, while he was working on Daphnis. Its profound melancholy has caught the imagination of listeners ever since, in combination with the poetic title – which was only chosen because of its agreeable sound, however: Ravel never had a particular dead princess in mind, and finding many interpretations too sluggish, famously remarked that the piece was not, after all, ‘a dead pavane for an infanta’.
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Pearl Jam - 2015-11-14 - Estadio do Morumbi, Sao Paulo, Brazil (2015) High-Fidelity FLAC Stereo 24bit/96kHz

Artist: Pearl Jam
Title: 2015-11-14 - Estádio do Morumbi, São Paulo, Brazil
Genre: Rock, alternative, grunge, hard rock
Label: © Pearl Jam/Monkeywrench
Release Date: 2015
Quality: High-Fidelity FLAC Stereo 96kHz/24bit
Source: livedownloads.com
Duration: 02:55:39
Recorded live 2015/11/14 at Estádio do Morumbi, São Paulo, Brazil

The Pearl Jam 2015 Latin America Tour was a concert tour by the American rock band Pearl Jam. The tour consisted of nine shows in Latin America, including venues in Chile, Brazil, Colombia, Mexico and Argentina. This was the first tour following the Lightning Bolt Tour that finished in 2014 and the first shows in Latin American since the band released their 2013 album Lightning Bolt. The tour started on November 4 in Santiago, Chile, and finished on November 28 in Mexico City. On August 6, it was announced that the show in Colombia will be moved from Estadio El Campín to Simón Bolívar Park.
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Pearl Jam - 2015-11-04 - Estadio Nacional, Santiago, Chile (2015) High-Fidelity FLAC Stereo 24bit/96kHz

Artist: Pearl Jam
Title: 2015-11-04 - Estadio Nacional, Santiago, Chile
Genre: Rock, alternative, grunge, hard rock
Label: © Pearl Jam/Monkeywrench
Release Date: 2015
Quality: High-Fidelity FLAC Stereo 96kHz/24bit
Source: livedownloads.com
Duration: 02:34:28
Recorded live 2015/11/04 at Estadio Nacional, Santiago, Chile

The Pearl Jam 2015 Latin America Tour was a concert tour by the American rock band Pearl Jam. The tour consisted of nine shows in Latin America, including venues in Chile, Brazil, Colombia, Mexico and Argentina. This was the first tour following the Lightning Bolt Tour that finished in 2014 and the first shows in Latin American since the band released their 2013 album Lightning Bolt. The tour started on November 4 in Santiago, Chile, and finished on November 28 in Mexico City. On August 6, it was announced that the show in Colombia will be moved from Estadio El Campín to Simón Bolívar Park.
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Natalie Cole - Natalie Cole en Espanol (2013) High-Fidelity FLAC Stereo 24bit/44.1kHz

Artist: Natalie Cole
Title: Natalie Cole en Español
Genre: Pop, Vocal Jazz, R&B, Latin Jazz, Ballad
Label: © The Verve Music Group
Release Date: 2013
Quality: High-Fidelity FLAC Stereo 44,1kHz/24bit
Source: HDTracks
Duration: 43:37

Produced by Rudy Perez (“Latin Music Producer of the Decade“ - Billboard), Natalie Cole En Espanol finds the multi-GRAMMY® winner inspired by both the bilingual recording legacy of her father Nat King Cole and a growing passion for the timeless romanticism of the great Latin music composers. The must-have recording will reintroduce a new generation of fans to many of Latin Music’s most romantic standards – with both new interpretations of Spanish-language classics previously recorded by Nat King Cole, and Natalie’s own personal selection of songs that have touched her heart and make this album truly her own. This wonderful balance of both old and new classics is perfectly illustrated by the special vocal collaborations that highlight the album, with Natalie joining Juan Luis Guerra on the Dominican Maestro’s own “Bachata Rosa,” while looking further back with Andrea Bocelli on the eternal “Besame Mucho.” But without question, the most emotional pairing of the album finds Natalie joining her father in a heartfelt duet of “Acercate Mas” – utilizing the same technique as their GRAMMY® winning, globally multi-Platinum recording of “Unforgettable.”
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Wolfgang Amadeus Mozart - Requiem, K.626 - Wiener Philharmoniker, Karl Bohm (1971/2012) High-Fidelity FLAC Stereo 24bit/192kHz

Сomposer: Wolfgang Amadeus Mozart (1756-1791)
Artist: Wiener Philharmoniker, Karl Böhm
Title: Mozart - Requiem, K.626
Genre: Classical, Choral
Label: © Deutsche Grammophon
Release Date: 1971/2012
Quality: High-Fidelity FLAC Stereo 192kHz/24bit
Source: e-onkyo
Duration: 01:04:30
Recorded: April 1971, Grosser Saal, Musikverein, Wien, Austria


Karl Böhm's 1971 Deutsche Grammophon recording of Mozart's Requiem has long been regarded as the best, deepest, truest, and most Austrian recording of the work. With the Wiener Staatsopernchor and the Wiener Philharmoniker, plus soloists Edith Mathis, Julia Hamari, Wieslaw Ochman, and Karl Ridderbusch, Böhm created a fuliginously sorrowful, luminously consoling, and numinously blessed performance of Mozart's final masterpiece and Deutsche Grammophon has wisely kept the performance almost continuously in print since its release. But old timers always said there was another, even better, Böhm-led performance of the Requiem, a performance given during the gala, month-long celebration of the re-opening of the Wiener Staatsoper in November 1955, a performance said to have the special intensity of a solemn musical ceremony. Destroyed during the last days of the war, the reopening of the country's pre-eminent opera house 10 years later under Böhm was Austria's joyous re-affirmation of its cultural identity ...Considered lost for decades, a recording of the entire performance has at last been released on Orfeo, and as it turns out, Böhm and his forces did indeed give a performance fully commensurate with the occasion. With Irmgard Seefried, Hildegard Rössel-Majdan, Anton Dermota, and Gottlob Frick, plus, of course, the Wiener Staatsopernchor and the Wiener Philharmoniker, Böhm's 1955 Requiem goes even deeper into the sorrowful heart of the work by being even truer both to its composer and to his country. As captured in Orfeo's harsh but honest remastering, this Requiem demands to be heard by anyone who was ever touched by the work -- and that, of course, includes everyone who has ever heard the work. --AllMusic Review by James Leonard
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