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Antonio Vivaldi - Les Quatre saisons - Theo Bleckmann, Uri Caine, Aitor Hevia, Forma Antiqva, Aaron Zapico (2012) High-Fidelity FLAC Stereo 24bit/96kHz

Сomposer: Antonio Vivaldi (1678-1741), Uri Caine
Artist: Theo Bleckmann, Uri Caine, Aitor Hevia, Forma Antiqva, Aarón Zapico
Title: Vivaldi - Les Quatre saisons
Genre: Classical
Label: © Winter & Winter
Release Date: 2012
Quality: High-Fidelity FLAC Stereo 96kHz/24bit
Source: Qobuz
Duration: 00:52:57
Recorded: Auditorio Manuel de Falla (Forma Antiqva), Granada, Spain, July 2011; Sear Sound (Theo Bleckmann and Uri Caine), NYC, USA, September 2011


A wonderful audiofilm (cinema for closed eyes). An outstanding musical radio play. A musical homage to the world and the wonder of life — who besides Stefan Winter would dare to set Antonio Vivaldi's sonnets to music for the very first time, to open with these four new songs the master piece "Le Quattro Stagioni". Since years Stefan Winter works as a sound artist, recording director and producer and he is known for ambitious and bold projects, now he surprises once again his audience with a creative new version of Antonio Vivaldi's »The Four Seasons«.
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Giuseppe Verdi - Aida - Jonas Kaufmann, Anja Harteros, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano (2015) High-Fidelity FLAC Stereo 24bit/96kHz

Сomposer: Giuseppe Verdi (1813-1901)
Artist: Jonas Kaufmann, Anja Harteros, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano
Title: Verdi - Aida
Genre: Classical
Label: © Warner Classics
Release Date: 2015
Quality: High-Fidelity FLAC Stereo 96kHz/24bit
Source: highresaudio.com
Duration: 2:25:46
Recorded at the Sala Santa Cecilia, Auditorium Parco della Musica, Rome, II.2015


This magnificent recording of Aida, made in Rome, rises to all the musical and dramatic challenges presented by Verdi’s richly-coloured Egyptian epic. Antonio Pappano, once again proving his mastery of Italian opera, moves between sumptuous grandeur and touching intimacy. The responses of the Orchestra e Coro dell’Accademia Nazionale di Santa Cecilia are both immediate and vibrant, while the singers – Anja Harteros, Jonas Kaufmann, Ekaterina Semenchuk, Ludovic Tézier and Erwin Schrott – do justice to every facet of their roles.
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The Oscar Peterson Trio with Milt Jackson - Reunion Blues (1971/2014) High-Fidelity FLAC Stereo 24bit/88.2kHz

Artist: The Oscar Peterson Trio with Milt Jackson
Title: Reunion Blues
Genre: Jazz, Bop, Hard Bop, Piano Jazz, Vibraphone/Marimba Jazz
Label: © MPS - Musik Produktion Schwarzwald | Edel Germany GmbH
Release Date: 1971/2014
Quality: High-Fidelity FLAC Stereo 88,2kHz/24bit
Source: Qobuz
Duration: 00:40:20
Recorded at the private studio of Hans Georg Brunner-Schwer in July, 1970

Pianist Oscar Peterson joins up with his old friends, vibraphonist Milt Jackson and bassist Ray Brown, in addition to his drummer of the period, Louis Hayes, for a particularly enjoyable outing. After a throwaway version of the Rolling Stones' "(I Can't Get No) Satisfaction," the all-star quartet performs Jackson's title cut, Benny Carter's ballad "Dream of You," and four standards. Although not up to the excitement of Peterson's best Pablo recordings of the 1970s, this is an enjoyable album. --AllMusic Review by Scott Yanow
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The Bill Evans Trio - Moon Beams (1962/2002) High-Fidelity FLAC Stereo 24bit/192kHz

Artist: The Bill Evans Trio
Title: Moon Beams
Genre: Jazz, Post-Bop, Modal Music, Cool Jazz, Piano Jazz
Label: © Riverside Records | Analogue Productions XAPJ9428D64
Release Date: 1962/2002
Quality: DSF Stereo DSD64/2.82MHz
Source: AcousticSounds
Duration: 39:09
Recorded: June 2, 1962 (#2-4, 6, 7); May 29, 1962 (# 1, 8); May 17, 1962 (#5), Sound Makers Studio, New York City
Mastered by Doug Sax from the original analog master tapes.
DSD Download authored by Gus Skinas.

Bill Evans was left reeling by the accidental death of his brilliant bassist Scott LaFaro in mid-1961 and didn't feel ready to record with his new bassist until nearly a year later. When he did go into the studio in May and June of 1962 with Chuck Israels and drummer Paul Motian, the "second trio" produced material for two albums that were to be among Evans's most popular. Moonbeams includes ballad material from the sessions. The rest of the music from the sessions is in How My Heart Sings! In Moonbeams, Evans did some of his most introspective playing, his sense of loss apparent but relieved by Israels's power and empathy. "Polka Dots and Moonbeams," "If You Could See Me Now," and the others represent Evans at his best, his lyricism underlaid with rhythmic firmness even in the extraordinarily slow "In Love in Vain."
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The Bill Evans Trio - Moon Beams (1962/2002) High-Fidelity DSF Stereo DSD64/2.82MHz

Artist: The Bill Evans Trio
Title: Moon Beams
Genre: Jazz, Post-Bop, Modal Music, Cool Jazz, Piano Jazz
Label: © Riverside Records | Analogue Productions XAPJ9428D64
Release Date: 1962/2002
Quality: DSF Stereo DSD64/2.82MHz
Source: AcousticSounds
Duration: 39:09
Recorded: June 2, 1962 (#2-4, 6, 7); May 29, 1962 (# 1, 8); May 17, 1962 (#5), Sound Makers Studio, New York City
Mastered by Doug Sax from the original analog master tapes.
DSD Download authored by Gus Skinas.


Bill Evans was left reeling by the accidental death of his brilliant bassist Scott LaFaro in mid-1961 and didn't feel ready to record with his new bassist until nearly a year later. When he did go into the studio in May and June of 1962 with Chuck Israels and drummer Paul Motian, the "second trio" produced material for two albums that were to be among Evans's most popular. Moonbeams includes ballad material from the sessions. The rest of the music from the sessions is in How My Heart Sings! In Moonbeams, Evans did some of his most introspective playing, his sense of loss apparent but relieved by Israels's power and empathy. "Polka Dots and Moonbeams," "If You Could See Me Now," and the others represent Evans at his best, his lyricism underlaid with rhythmic firmness even in the extraordinarily slow "In Love in Vain."
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