Sort articles by: Date | Most Rates | Most Views | Comments | Alphabet
» Articles for July 2015 Year » page 9
Lionel Richie - Can't Slow Down (1983/2012) High-Fidelity FLAC Stereo 24bit/192kHz


Artist: Lionel Richie
Title: Can't Slow Down
Genre: Soul, Funk, R&B, Soft Rock, Quiet Storm
Label: © Motown Records
Release Date: 1983/2012
Quality: High-Fidelity FLAC Stereo 192kHz/24bit
Source: HDTracks
Duration: 00:40:53
Recorded: March–September 1983, Oceanway Recording Studios; Except vocals on track 6 recorded at Sunset Sound Recording Studios.


Pop-soul legend Lionel Richie’s 1983 landmark release, Can’t Slow Down, showcased the musician’s smooth vocals, eloquent songwriting and funky grooves. The album comprised of up-tempo songs and stunning ballads, sold millions of copies worldwide and became one of Motown’s bestselling albums. The recording peaked at #1 on Billboard’s album charts and spent 160 weeks within Billboard’s Top 200. Included were the chart-topping smash hits, “All Night Long,” “Penny Lover,” “Stuck On You,” “Running With The Night,” and Lionel’s iconic masterpiece, “Hello.” This timeless classic and one of Lionel’s most celebrated works is available now as a pristine hi-res download!
  • 20
Lara Fabian - Le Secret (2013) High-Fidelity FLAC Stereo 24bit/44.1kHz


Artist: Lara Fabian
Title: Le Secret
Genre: Pop
Label: © 9 Productions
Release Date: 2013
Quality: High-Fidelity FLAC Stereo 44,1kHz/24bit
Source: Qobuz
Duration: 01:18:53


Belgian-born pop singer/songwriter Lara Fabian began singing, dancing, and taking piano lessons at a very young age and began formal music lessons at the Royal Conservatory of Brussels at age eight. During her ten years of study there, Fabian started writing and performing her own songs, which were inspired as much by her classical vocal and music theory training as they were by Barbra Streisand and Queen. After finishing her studies, Fabian moved to Montreal and began her own label and publishing company, Productions Clandestines. Collaborator/producer Rick Allison, an old friend from Brussels, joined her in Montreal and the pair worked steadily on writing and recording songs. In 1991, Fabian's French-language debut album was released in Canada and sold over 100,000 copies in three years. Her consistent touring in Quebec helped bolster her 1994 album Carpe Diem to similar success, which paved the way for 1997's Pure, a two million-selling album in France that spawned the anti-homophobia anthem "La Difference." The live album Fabian released a year later solidified the international buzz around her and she was signed by Sony Music, which released her self-titled, English-language album in 2000. It was a huge success across the globe, reaching number 1 in the US Heatseeker chart and rocketed to the top of the French charts. A Year later she returned to French language for her fifth album, Nue, which documented her tumultuous time during the overwhelming success of her previous album. In 2004 Fabian released her second English record, A Wonderful Life. The album featured a collection of acoustic-pop songs and included “Review My Kisses” -- a track Fabian originally turned down the track for the album. However, after being impressed by LeAnn Rimes' version, she recorded the song herself. Just a year later, Fabian released 9, which for the first time was not produced by long term collaborator Rick Allison. Instead, Jean-Félix Lalanne took the helm, and brought about a distinct change in Fabian’s pop sound and marked her fifth French studio album. The highly anticipated collaboration with pianist Mark Herskowitz, Toutes Les Femmes En Moi, arrived in 2009 and brought together a collection of songs from an array of artists such as Celine Dion and Edith Piaf. 2010 saw the release of the compilation Best of Laura Fabian, which included the hit single "I Will Love Again" and her duet with Johnny Hallyday "Requiem Pour un Fou." --Artist Biography by Heather Phares
  • 100
Franz Liszt - Piano Concertos - Alexandre Kantorow, Tapiola Sinfonietta, Jean-Jacques Kantorow (2015) High-Fidelity FLAC Stereo 24bit/96kHz

Сomposer: Franz Liszt (1811–86)
Artist: Alexandre Kantorow, Tapiola Sinfonietta, Jean-Jacques Kantorow
Title: Franz Liszt - Piano Concertos
Genre: Classical
Label: © BIS Records AB
Release Date: 2015
Quality: High-Fidelity FLAC Stereo 96kHz/24bit
Source: eclassical.com
Duration: 58:02
Recorded: November 2014 at the Tapiola Concert Hall, Finland


As a teenager, Franz Liszt created at least two virtuosic concertos for piano and orchestra, scores which now are lost. The three works gathered here first saw the light of day only a few years later, however, during the 1830's when Liszt’s career as a young, travelling virtuoso was at its height. The two numbered concertos, which Liszt revised extensively before letting them be published some 25 years after their conception, frame the single-movement Malédiction for piano and strings which Liszt composed in 1833 and revised in 1840, but which was never published in his lifetime. Stepping into Liszt's shoes for the present recording is Alexandre Kantorow, another very young man. Born in 1997, Alexandre is here supported by his father Jean-Jacques Kantorow conducting the Tapiola Sinfonietta, a team with a number of highly acclaimed recordings to their credit. The recording is Alexandre’s first for BIS, as well as being his début concerto disc, and represents a remarkable achievement by a hugely promising talent, as well as being a vibrant and exciting account of three impassioned scores.
  • 80
Kurt Elling - Passion World (2015) High-Fidelity FLAC Stereo 24bit/96kHz


Artist: Kurt Elling
Title: Passion World
Genre: Jazz, Vocal Jazz
Label: © Concord Music Group, Inc.
Release Date: 2015
Quality: High-Fidelity FLAC Stereo 96kHz/24bit
Source: Qobuz
Duration: 01:04:58
Recorded: November 29, 2012 - December 4, 2012


Both a virtuoso and a journeyman, a traditionalist and a chance taker, singer Kurt Elling has built a career upon defying expectations while also celebrating the standards of the vocal jazz tradition. An adept vocalist with an eloquent set of skills that find him moving easily between literate, kinetic vocalese, swinging standards, and lyrical balladry, Elling draws you deep into each song. With his 11th studio album and fifth for Concord, 2015's Passion World, Elling maximizes this eclectic dynamism with a well-curated series of songs that find him exploring compositions and styles from around the globe. The album finds him working with producers Chris Dunn and Bryan Farina as well as longtime collaborators keyboardist Gary Versace, guitarist John McLean, bassist Clark Sommers, and drummer Kendrick Scott. This touring ensemble has backed Elling worldwide, and clearly shares his enthusiasm for interpreting such stylistically disparate material. Also adding to the album's cornucopia of sounds is a handful of like-minded guests including trumpeter Arturo Sandoval on the elegiac Cuban ballad "Bonita Cuba" and tenor saxophonist Tommy Smith and the Scottish National Jazz Orchestra on the lyrical traditional Celtic number "Loch Tay Boat Song." Similarly, German trumpeter Till Brönner adds his soft, melodic trumpet to Richard Galliano's "Billie," reworked here as "The Tangled Road," and featuring lyrics by Elling. Also engaging is Elling's duet with vocalist Sara Gazarek on Brazilian singer/songwriter Dorival Caymmi's buoyant 1944 bossa nova classic "Você Já Foi à Bahia?" And it's not just his jazz chops on display here. Elling delivers an impeccable orchestral-backed rendition of Johannes Brahms' elegiac "Nicht Wandle, Mein Licht (Liebeslieder Walzer Op. 52, No. 17)," and even reworks U2's anthemic "Where the Streets Have No Name" with an uplifting folk and soul-jazz vibe. Ultimately, that all of Passion World works so beautifully, with each song flowing into the next, is yet another reason why Elling remains one of the premier jazz vocalists in the world. --AllMusic Review by Matt Collar
  • 0
Kiss - Kiss (1974/2014) High-Fidelity FLAC Stereo 24bit/96kHz


Artist: Kiss
Title: Kiss
Genre: Rock, Hard Rock, Heavy Metal
Label: © Casablanca Records | The Island Def Jam Music Group
Release Date: 1974/2014
Quality: High-Fidelity FLAC Stereo 96kHz/24bit
Source: HDTracks
Duration: 35:14
Recorded: October–November 1973; April 1974 ('Kissin' Time') at Bell Sound Studios, New York City



Kiss' penchant for make-up was inspired by their downtown New York neighbors the New York Dolls and by Alice Cooper, who was on top of the glam-rock world when Kiss' self-titled debut came out in 1974. Rather than dress in drag as the Dolls did, Kiss fashioned their look on a mix of sci-fi and horror films, and the rock & roll of their youth. They fashioned their music on willful hard-rock arrogance.
Several songs on KISS became staples in the group's catalog. 'Strutter,' about a beautiful woman with a confident swagger, mirrored the attitude of the band, and it contained the first of many incendiary Ace Frehley solos.
The album also contains 'Cold Gin,' Ace's signature song; 'Deuce,' with its quintessential sexual posturing and fiery soloing; and 'Black Diamond,' Paul Stanley's epic tribute to a streetwalker with a hardscrabble life. Kiss' hunger to succeed resulted in some interesting recording choices, such as transforming teen idol Bobby Rydell's 'Kissin' Time' into a stomper with singalong choruses typical of early-'70s pop. There's even an instrumental, 'Love Theme From Kiss,' a showcase for the quartet's musical synchronicity. It was the beginning of a long and influential career.
  • 0
Kevin Puts - To Touch the Sky - Conspirare, Craig Hella Johnson; Baltimore Symphony, Marin Alsop (2013) High-Fidelity FLAC Stereo 24bit/88.2kHz


Сomposer: Kevin Puts (b. 1972)
Artist: Conspirare, Craig Hella Johnson; Baltimore Symphony, Marin Alsop
Title: Kevin Puts - To Touch the Sky
Genre: Classical
Label: © Harmonia Mundi
Release Date: 2013
Quality: High-Fidelity FLAC Stereo 88,2kHz/24bit
Source: Qobuz
Duration: 00:59:43
Recorded: Tracks 1-10 recorded in September/October, 2012 at St. Martin’s Lutheran Church, Austin, Texas. Tracks 11-14 recorded live in June, 2012 at Joseph Meyerhoff Symphony Hall, Baltimore, Maryland.


Pulitzer Prize-winning composer Kevin Puts (born 1972) is known for his distinctive and richly colored musical voice. Making their label début, Marin Alsop and the Baltimore Symphony Orchestra perform Kevin Puts' Symphony No.4 ("From Mission San Juan"), inspired by Native American melodies. Opening this program of world première recordings, Craig Hella Johnson leads Conspirare in two choral settings of texts by women poets: "To Touch the Sky" and "If I Were a Swan".
  • 0
Keith Jarrett, Gary Peacock, Jack DeJohnette - Standards, Vol. 2 (1983/2015) High-Fidelity FLAC Stereo 24bit/192kHz

Artist: Keith Jarrett, Gary Peacock, Jack DeJohnette
Title: Standards, Vol. 2
Genre: Jazz, Post-Bop, Piano Jazz, Contemporary Jazz
Label: © ECM Records GmbH
Release Date: 1983/2015
Quality: High-Fidelity FLAC Stereo 192kHz/24bit
Source: Qobuz
Duration: 00:45:14
Recorded: The Power Station, NYC, January, 1983

Standards is a two-volume set of jazz albums released by the Keith Jarrett trio in 1983. Originally released by ECM, they have been multiply re-issued, including by Universal/Polygram. The two volumes present performances of pianist Keith Jarrett with Gary Peacock on bass and Jack DeJohnette on drums. Vol. 1 reached #14 on the Billboard Jazz Albums charts. In 2008 the two albums, along with 1983's Changes, were collected into a boxed set, Setting Standards: New York Sessions.
  • 100
Keith Jarrett, Gary Peacock, Jack DeJohnette - Standards, Vol. 1 (1983/2015) High-Fidelity FLAC Stereo 24bit/192kHz


Artist: Keith Jarrett, Gary Peacock, Jack DeJohnette
Title: Standards, Vol. 1
Genre: Jazz, Post-Bop, Piano Jazz, Contemporary Jazz
Label: © ECM Records GmbH
Release Date: 1983/2015
Quality: High-Fidelity FLAC Stereo 192kHz/24bit
Source: Qobuz
Duration: 00:45:40
Recorded: The Power Station, NYC, January, 1983


Standards is a two-volume set of jazz albums released by the Keith Jarrett trio in 1983. Originally released by ECM, they have been multiply re-issued, including by Universal/Polygram. The two volumes present performances of pianist Keith Jarrett with Gary Peacock on bass and Jack DeJohnette on drums. Vol. 1 reached #14 on the Billboard Jazz Albums charts. In 2008 the two albums, along with 1983's Changes, were collected into a boxed set, Setting Standards: New York Sessions.
  • 100
Keith Jarrett, Gary Peacock, Jack DeJohnette - Changes (1984/2015) High-Fidelity FLAC Stereo 24bit/192kHz


Artist: Keith Jarrett, Gary Peacock, Jack DeJohnette
Title: Changes
Genre: Jazz, Post-Bop, Piano Jazz
Label: © ECM Records GmbH
Release Date: 1984/2015
Quality: High-Fidelity FLAC Stereo 192kHz/24bit
Source: Qobuz
Duration: 00:37:33
Recorded: January 1983 at Power Station, New York City


Changes is a jazz album released by Keith Jarrett, Jack DeJohnette and Gary Peacock in 1984. This group subsequently became known as the "Standards Trio". The album features improvised compositions recorded at the same sessions as the two volumes released as Standards. In 2008 the three albums were collected into a boxed set, Setting Standards: New York Sessions.
The trio originally worked together on a 1977 album headline by Peacock, Tales of Another, coming back together in 1983 when producer Manfred Eicher proposed a trio album to Jarrett. The three joined in a studio in Manhattan, New York for a 1½ day session during which they recorded enough material for three albums, the two Standards volumes and Changes without rehearsing or pre-planning the playlist.
  • 100
Jutta Hipp Quintet - New Faces-New Sounds From Germany (1954/2015) High-Fidelity FLAC Stereo 24bit/192kHz

Artist: Jutta Hipp Quintet
Title: New Faces-New Sounds From Germany
Genre: Jazz, Bop, Cool Jazz, Hard Bop
Label: © Blue Note Records
Release Date: 1954(BLP 5056)/2015
Quality: High-Fidelity FLAC 2.0 Mono 192kHz/24bit
Source: HDTracks
Duration: 27:17
Recorded: Frankfurt Am Main, West Germany, April 24, 1954


Incredible postwar bop recordings by one of the hippest groups in Germany! During the 50s, pianist Jutta Hipp cut a number of straighter sides for Blue Note that were recorded in the US – but this album features earlier German recordings, some later issued by Blue Note – all done with a killer quintet that features a young Joki Freund on tenor sax and Emil Mangelsdorff on alto!
Jutta's core trio features Hans Kresse on bass and Karl Sanner on drums – but the real charm of the records is the horn players – working with amazing interplay that really makes the record shine – working in unison on many of the intros to the songs, cutting back and forth like a double-edged sword, then breaking out into wonderfully compact solos that easily rival the best of the west coast at the time!
  • 60
Dear visitor, you have not login. We recommend you to REGISTER and LOGIN to gain access to the full resource on our website.