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The Rolling Stones - GRRR! (2012) [High Fidelity Pure Audio Blu-Ray Disc]

Genre: Rock
Year Of Release: 2012
Duration: 3:07:18

Quality: Blu-ray
Container: BDMV
Video codec: H.264
Video: MPEG-4 AVC Video / 900 kbps / 1080p / 23,976 fps / 16: 9 / High Profile 4.1
Audio 1: LPCM / 2.0 / 96 kHz / 4608 kbps / 24-bit
Audio 2: DTS-HD Master Audio / 2.0 / 96 kHz / 3492 kbps / 24-bit (DTS Core: 3.0 / 48 kHz / 1509 kbps / 24-bit)
Audio 3: Dolby TrueHD / 2.0 / 96 kHz / 2843 kbps / 24-bit (AC3 Embedded: 2.0 / 48 kHz / 640 kbps)

To mark the band’s 50th anniversary, the Rolling Stones have released a greatest hits collection. GRRR! features two new tracks recorded in Paris in the summer of 2012 (including the single “Doom and Gloom”), as well as a career-spanning collection of hits.
This High Fidelity Pure Audio release contains all 50 tracks on one high capacity Blu-ray disc. Material is taken from original 24bit master tapes and delivered in PCM, Dolby True HD and DTS audio formats – so you can enjoy the music in its purest form.
Highlights include the band’s first single–a version of Chuck Berry’s “Come On”, “The Last Time”, “(I Can’t Get No) Satisfaction”, “Get Off Of My Cloud”, “Jumping Jack Flash”, “Honky Tonk Women” and the juke-box and concert favourites “Brown Sugar”, “Tumbling Dice”, “Miss You” and “Start Me Up”.
This is a quality product.To have so many of the ROLLING STONES songs on one disc is a joy.You can jump from 1963’s Come On to the 2 new tracks if you wish or hop about and listen in any order to 3 cds worth on 1 disc of audio blu-ray.
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Tears For Fears - The Hurting (1983/2014) [High Fidelity Pure Audio Blu-Ray Disc]

Genre: Rock, Pop, Synth Pop
Released Country: UK
Year of Publication: 2014
Publisher (label): Universal Music Group
Catalog number: 0600753479438
Country: UK
Quality: Blu-ray Audio
Container: BDMV
Video codec: MPEG-4
Audio Codec: LPCM, DTS-HD MA, AC3
Duration: 41:46
Size: 5.93 GB

Video: MPEG-4 AVC Video / 5989 kbps / 1080p / 23,976 fps / 16: 9 / High Profile 4.1

Audio # 1: English / LPCM Audio / 2.0 / 96 kHz / 4608 kbps / 24-bit
Audio # 2: English / DTS-HD Master Audio / 2.0 / 96 kHz / 3701 kbps / 24-bit (DTS Core: 3.0 / 48 kHz / 1509 kbps / 24-bit)
# 3 Audio: English / Dolby TrueHD Audio / 2.0 / 96 kHz / 3103 kbps / 24-bit (AC3 Embedded: 2.0 / 48 kHz / 640 kbps)

The Hurting would have been a daring debut for a pop-oriented band in any era, but it was an unexpected success in England in 1983, mostly by virtue of its makers’ ability to package an unpleasant subject — the psychologically wretched family histories of Roland Orzabal and Curt Smith — in an attractive and sellable musical format. Not that there weren’t a few predecessors, most obviously John Lennon’s Plastic Ono Band album — which was also, not coincidentally, inspired by the work of primal scream pioneer Arthur Janov. (But Lennon had the advantage of being an ex-Beatle when that meant the equivalent to having a box next to God’s in the great arena of life, where Tears for Fears were just starting out.) Decades later, “Pale Shelter,” “Ideas as Opiates,” “Memories Fade,” “Suffer the Children,” “Watch Me Bleed,” “Change,” and “Start of the Breakdown” are powerful pieces of music, beautifully executed in an almost minimalist style. “Memories Fade” offers emotional resonances reminiscent of “Working Class Hero,” while “Pale Shelter” functions on a wholly different level, an exquisite sonic painting sweeping the listener up in layers of pulsing synthesizers, acoustic guitar arpeggios, and sheets of electronic sound (and anticipating the sonic texture, if not the precise sound of their international breakthrough pop hit “Everybody Wants to Rule the World”). The work is sometimes uncomfortably personal, but musically compelling enough to bring it back across the decades.
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Van Morrison – Moondance (Deluxe Edition) (1970/2013) [High Fidelity Pure Audio Blu-Ray Disc]

Genre: Pop, Rock, Soul, Irish Folk
Year of the album’s release: 1970
Year of publication: 2013

Duration: 00:39:20
Size: 5.11 GB

In the fall of 1969, Van Morrison entered the studio to record Moondance, the album that would soon become his commercial breakthrough and one of the most beloved recordings of all time. Fans will soon have the rare opportunity to experience this classic album like never before with the newly remastered and expanded version featuring 50 unreleased tracks including studio outtakes of favorites, plus multiple takes and a final mix of the unheard track “I Shall Sing.”
The Deluxe Edition includes 4 CDs/1 Blu-Ray Audio with newly remastered version of the original album, three discs of previously unreleased music from the sessions, a Blu-Ray Audio disc with high-resolution 48K 24 bit PCM stereo and DTS-HD Master Audio 5.1 surround sound audio of original album (no video). The package is presented in a linen-wrapped folio Includes a booklet with liner notes from Alan Light and original engineer Elliot Scheiner.
The Deluxe Edition unearths an amazing trove of unreleased gems that take the listener right alongside Morrison and his band in studio. There are multiple, often lengthy, takes from the recording sessions of nearly every track found on the 1970 original, including “Glad Tidings,” “Brand New Day” and “Come Running.” There are also early takes of “I’ve Been Working,” a song that would appear later that year on His Band And The Street Choir. The early version included here is quite different from the official album version. The Deluxe Edition also includes a Blu-Ray audio disc with high-resolution stereo and surround mixes of the original album, mixed by original engineer Elliot Scheiner, who also oversaw the new re-mastering of the album.
One of the most significant revelations is “I Shall Sing,” a Morrison original that was completed but left off the album. There are multiple takes of the song (spread across six tracks), plus a final mix of the finished song. While no one has heard Morrison’s version, Art Garfunkel had a Top 40 hit with the song, which appeared on his 1973 solo debut.
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Ying Quartet: Schumann (2014) [High Fidelity Pure Audio Blu-Ray Disc]

Title: Ying Quartet: Schumann
Released: 2014
Genre: Classical, Instrumental
Artist: Ayano Ninomiya (Violin), Janet Ying (Violin), Phillip Ying (Viola), David Ying (Cello)

Issued: United States | Sono Luminus
Duration: 1:13:43

The Ying Quartet occupies a position of unique prominence in the classical music world, combining brilliantly communicative performances with a fearlessly imaginative view of chamber music in today’s world. Now in its second decade as a quartet, the Quartet has established itself as an ensemble of the highest musical qualifications in its tours across the United States and abroad. Their performances regularly take place in many of the world’s most important concert halls, from Carnegie Hall to the Sydney Opera House. At the same time, the Quartet’s belief that concert music can also be a meaningful part of everyday life has also drawn the foursome to perform in settings as diverse as the workplace, schools, juvenile prisons, and the White House. In fact, the Ying Quartet’s constant quest to explore the creative possibilities of the string quartet has led it to an unusually diverse array of musical projects and interests. As quartet-in-residence at the Eastman School of Music, the Ying Quartet maintains full time faculty positions in the String and Chamber Music Departments.
The three string quartets were all written in just a few weeks in the summer of 1842, and his writing for strings is, for better or worse, rather pianistic. It is unfortunate that some would dispatch the significance and beauty of these works so easily. Though there are passages and textures in the quartets that are clearly influenced by keyboard technique, this is glorious music. The imagination and wit, vitality and virtuosity, subtlety and nuance, and heartfelt yearning and emotion that are displayed throughout the quartets are enough to be as satisfying as any of Schumann’s music. Each one of them is a joy to perform.
Since all of the quartets were written in just a few short weeks, it is interesting to take them (Op. 41, Nos. 1, 2 and 3) as a set and consider the similarities and differences between each of the corresponding movements. For example, all three of the first movements are primarily gentle in nature and convey a sense of unfolding, though there are dynamic and energetic moments within. None of them begin with forceful, dramatic intensity to grab an audience; instead, Schumann uses an intimate quality and a sense of drawing the listener in to define the emotional world of these quartets. Two of the three first movements also end in a wonderfully quiet and peaceful way.
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Inscape - American Aggregate (2014) [High Fidelity Pure Audio Blu-Ray Disc]

Title: Inscape: American Aggregate
Released: 2014
Genre: Instrumental
Artist: Brandon Almagro (trumpet), Bryce Bunner (viola), Sarah D’Angelo (violin), Cara Fleck (harp), David George (bass), Benjamin Greanya (bassoon), Nicholas Hodges (violin & viola), Douglas Jameson (cello), Susanna Loewy (flute), Timothy McReynolds (piano), Rebecca Racusin (violin), Jessica Sammis (cello), Bethany Slater (oboe), Megan Yanik (viola), Richard Scerbo (Artistic Director), Evan Ross Solomon (Clarinet & Executive Director)

Issued: United States | Sono Luminus
Duration: 1:22:39

American Aggregate, the follow up to Inscape’s GRAMMY® nominated debut album Sprung Rhythm on the Sono Luminus label, explores the rich and varied sounds of American music in the 21st century. From the mechanized world of our cities to the natural beauty of our landscapes, from the sounds of jazz and rock to indigenous folk music, the picture of contemporary classical music is revealing and diverse. The works contained on this album reflect American culture, landscape, and environment as expressed through the distinctly American voices of seven young composers.
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Bjørn Bolstad Skjelbred: Waves & Interruptions (2013) [High Fidelity Pure Audio Blu-Ray Disc]

Title: Bjørn Bolstad Skjelbred: Waves & Interruptions
Released: 2013
Genre: Classical, Instrumental
Artist: Eirik Raude (marimba and vibraphone), Ida Bryhn (viola), Tom Ottar Andreassen (flutes), Thomas Kjekstad (guitar)

This album presents a collection of works by the Norwegian composer Bjørn Bolstad Skjelbred (b.1970), all composed between 2001 and 2013. The works have been written with melodic percussion as the central and dominating element – with various surrounding ensembles – performed by the recognized Norwegian percussionist Eirik Raude. The smaller chamber formations very suitably illustrate several of the central compositional and poetic aspects of Skjelbred’s music.

The music of Skjelbred is quiet, and just like his shy persona it is exactly this quietness that gives the music its character and originality. This is not music that leaps off the stage and authoritatively grabs the listener. It is rather music that encourages the listener to actively advance, to follow the finely chiselled processes that you will find under the surface, in sequences that in Skjelbred consciously avoid being directed towards final and unambiguous goals. One rarely finds that the composer in his works wishes to draw rigorous conclusions.

Skjelbred says himself: “I think that art is the place where the conclusions are not the most important thing, but the unanswered questions. I regard this as a logarithmic curve, a kind of parabola – where you have a steep development curve in the beginning that gradually approaches the base line but never reaches it completely. To fully understand another human being (or oneself) is thus impossible. “

In meeting Bjørn Bolstad Skjelbred’s music, he does not ask that you as a listener fasten your seatbelt, but rather loosen it carefully, rise from your seat and approach the music, slowly walking, with your mind and ears open. You will hear a source of sound that illustrates paradoxes both in nature’s imminent, quiet (!) Drama and in all the strange versions of our human social relations that basically, and finally, can be explained in a longing to understand the other person.

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