» » » Jay Jay Johnson With Clifford Brown (1953/2015) High-Fidelity FLAC Stereo 24bit/96kHz
Jay Jay Johnson With Clifford Brown (1953/2015) High-Fidelity FLAC Stereo 24bit/96kHz
Jay Jay Johnson With Clifford Brown (1953/2015) High-Fidelity FLAC Stereo 24bit/96kHz

Artist: Jay Jay Johnson
Title: Jay Jay Johnson With Clifford Brown
Genre: Jazz, Bop, Hard Bop, Trombone Jazz
Label: © Blue Note Records
Release Date: 1953(BLP 5028)/2015
Quality: High-Fidelity FLAC 2.0 Mono 96kHz/24bit
Source: HDTracks
Duration: 25:46
Recorded: WOR Studios, NYC, June 22, 1953

Bebop trombone great Jay Jay Johnson and saxophone player Jimmy Heath got together with rising star trumpeter Clifford Brown to record this 10-inch album in 1953. They were joined in the studio by John Lewis (piano), Percy Heath (bass) and Kenny Clarke (drums), all three moonlighting from the Modern Jazz Quartet. This album has since become a kind of audio textbook for jazz trombonists and a career hallmark for Johnson. The Penguin Guide to Jazz Recordings includes it in their "Core Collection" and awarded it a rare and coveted "crown." The material on this album has been repackaged and released as The Eminent Jay Jay Johnson Volume 1.

Considered by many to be the finest jazz trombonist of all time, J.J. Johnson somehow transferred the innovations of Charlie Parker and Dizzy Gillespie to his more awkward instrument, playing with such speed and deceptive ease that at one time some listeners assumed he was playing valve (rather than slide) trombone. Johnson toured with the territory bands of Clarence Love and Snookum Russell during 1941-1942, and then spent 1942-1945 with Benny Carter's big band. He made his recording debut with Carter (taking a solo on "Love for Sale" in 1943), and played at the first JATP concert (1944). Johnson also had plenty of solo space during his stay with Count Basie's Orchestra (1945-1946). During 1946-1950, he played with all of the top bop musicians, including Charlie Parker (with whom he recorded in 1947), the Dizzy Gillespie big band, Illinois Jacquet (1947-1949), and the Miles Davis Birth of the Cool Nonet. His own recordings from the era included such sidemen as Bud Powell and a young Sonny Rollins. Johnson, who also recorded with the Metronome All-Stars, played with Oscar Pettiford (1951) and Miles Davis (1952), but then was outside of music, working as a blueprint inspector for two years (1952-1954). His fortunes changed when, in August 1954, he formed a two-trombone quintet with Kai Winding that became known as Jay and Kai and was quite popular during its two years.
After Johnson and Winding went their separate ways (they would later have a few reunions), Johnson led a quintet that often included Bobby Jaspar. He began to compose ambitious works, starting with 1956's "Poem for Brass," and including "El Camino Real" and a feature for Dizzy Gillespie, "Perceptions"; his "Lament" became a standard. Johnson worked with Miles Davis during part of 1961-1962, led some more small groups of his own, and by the late '60s was kept busy writing television and film scores. J.J. Johnson was so famous in the jazz world that he kept on winning Downbeat polls in the 1970s, even though he was not playing at all. However, starting with a Japanese tour in 1977, Johnson gradually returned to a busy performance schedule, leading a quintet in the 1980s that often featured Ralph Moore. In the mid-'90s, he remained at the top of his field, but by the late '90s and early into the 2000s, the legendary musician fell ill with prostate cancer, and sadly took his own life on February 4, 2001. --Artist Biography by Scott Yanow

1 Capri 3:38
2 Lover Man 3:52
3 Turnpike 4:18
4 Sketch 1 4:23
5 It Could Happen To You 4:46
6 Get Happy 4:49

Clifford Brown, trumpet -1/4,6
J.J. Johnson, trombone
Jimmy Heath, tenor, baritone saxophone -1/4,6
John Lewis, piano
Percy Heath, bass
Kenny Clarke, drums

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